13,952 Free Images of Architecture In Art

metropolitan museum of artetching printdepartment of drawings and prints, metropolitan museum of artbaroqueprints by stefano della bella in the metropolitan museum of artstefano della bellathe elisha whittelsey collectionmelchior tavernier (i)pierre firens ijean-baptiste de machault
Plate 12: a cartouche flanked by two winged infant satyrs riding on the heads of two rams, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 12: a cartouche flanked by two winged infant satyrs riding on the heads of two rams, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 7: a cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Two wild boar heads below, a deer head above, a bow and arrow in center, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
Interior view of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1748
etchings by giovanni battista piranesineoclassicism
A young boy holding a young leopard in his arms, the mother leopard laying below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Ager puteolanus, siue, Prospectus eiusdem insigniores (1620) (14598180219)
ager puteolanus, siue, prospectus eiusdem insigniores (1620)1620 illustrations
Ager puteolanus, siue, Prospectus eiusdem insigniores (1620) (14804684293)
ager puteolanus, siue, prospectus eiusdem insigniores (1620)agnano in art
Montpellier. Le Peyrou, the Aqueduct and Château d'Eau (3486769368)
historical photographs of montpellieraqueduc saint-clément (montpellier)
Daniel Stoopendaal, Afb 010094006342, circa 1677
dutch baroque architecturedaniel stoopendaal
Descrizione delle architetture, pitture e scolture di Vicenza, con alcune osservazioni (1779) (14798155353)
descrizione delle architetture, pitture e scolture di vicenza (1779)piazza dei signori (vicenza) in art
Ion Theodorescu-Sion - Margarete in vas japonez, Ion Theodorescu-Sion
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculpturestill life paintings by ion theodorescu-sion
Desguerrois en Co, Afb 010094003257
prints in the stadsarchief amsterdamdutch baroque architecture
Minerva met het portret van een onbekende man, RP-P-OB-52.998, Gilliam van der Gouwen, 1670 - ca. 1740
portrait prints in the rijksmuseum amsterdamgilliam van der gouwen
Montpellier. Le Peyrou, Aqueduct (3486809568)
historical photographs of montpellieraqueduc saint-clément (montpellier)
Montpellier. Le Peyrou, Eastern Terrace (3486765386)
park benches in franceleisure
Paris, Le Port Henri IV, Gustave Loiseau, 1921
pont-aven schoolport henri-iv
Ager puteolanus, siue, Prospectus eiusdem insigniores (1620) (14598126690)
ager puteolanus, siue, prospectus eiusdem insigniores (1620)1620 illustrations
Kalverstraat 92, de kleding van weesmeisjes uit het burger weeshuis, Afb ANWU01699000005, 1910
photographs in the stadsarchief amsterdamdutch baroque architecture
Petrograd, past and present (1916) (14582783708)
historical images of kazan cathedral (saint petersburg)neoclassical architecture in russia
Louis François Cassas's View of Messina Harbor with the Palazzata, designed by Simone Gullì in 1623, Louis-François Cassas, between 1782 and 1783
drawings by louis-françois cassasmessina in art
A man and two women conversing at center; young men standing to their right and young women to their left; ships in the distance; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
A man stands at center, flanked by rows of buildings; above Jupiter atop an eagle and Juno accompanied by a peacock, converse among the clouds; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Medea kills the two children she had by Jason: Histoire de Jason et de la conquête de la toison d'or., Léonard Thiry, 1563
works after léonard thiryrené boyvin
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano', François Spierre, 1666 (or after)
works after gianlorenzo berninifrançois spierre
Jason confronting the dragon guarding the Golden Fleece, from: Histoire de Jason et de la conquête de la toison d'or, Léonard Thiry, 1563
works after léonard thiryrené boyvin
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints published by françois langlois de chartresbaroque
Design for a Frieze with Putti carrying a Vine and Three Felines, Plate 11 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Door and Part of the Wainscot in the restored Salon of the Trianon Palace, plate IV from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode', Nicolas Langlois (I)
nicolas langloisjean le pautre
Plate 2 [counterproof]: Stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli, 'Il Favore De Gli Dei', Antonio Lorenzini, 1690
fra antonio lorenzinidomenico mauro
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints published by françois langlois de chartresbaroque
Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
Twelve Cartouches - Faun Masks with Floral Festoon, Stefano della Bella, circa 1640–45
françois collignonbaroque
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints published by françois langlois de chartresbaroque
Two decorates Frieze Designs for Cornices, from: Frise pour les architraves, corniches et autres ornaments d'architecture, Jean Leblond, before 1666
jean le pautrejean leblond i
Treasury House, 10 Downing Street, London: Plan of Sir Robert Walpole's Dressing Room (Middle Room, West Front, First Floor), William Kent, circa 1732–42
william kentisaac ware
Two Designs for Doors, one at Versailles and one at the Hotel Cavois in Paris, plate II from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode', Nicolas Langlois (I)
nicolas langloisjean le pautre
Funeral monument to Charles V, Duke of Lorraine, frontispiece to 'Les Actions glorieuses de S.A.S. Charles Duc de Lorraine', Sébastien Leclerc, 1703–04
department of drawings and prints, metropolitan museum of artsébastien leclerc
Treasury House, 10 Downing Street, London: Plan of the Great Middle Room (Sir Robert Walpole's Levee Room, Northwest Corner, First Floor), William Kent, circa 1732–42
william kentisaac ware
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Plate 1: Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
The Last Supper
medieval ivory in the walters art museumneoclassical architecture in russia
Great hall, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
melchior tavernier (i)pierre firens i
Design for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
melchior tavernier (i)pierre firens i
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossemelchior tavernier (i)
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossejean-baptiste de machault
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
melchior tavernier (i)pierre firens i
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Pierre Firens, 1629
works after abraham bossepierre firens i
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossemelchior tavernier (i)
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
melchior tavernier (i)pierre firens i
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
jean-baptiste de machaultworks after abraham bosse
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossemelchior tavernier (i)
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossejean-baptiste de machault
Altartafeln von Hans Leu d.Ä. (Haus zum Rech) - linkes Limmatufer - Zürichhorn 2013-04-03 16-24-53, Hans Leu the Elder
altartafeln von hans leu im stadtarchiv zürich (haus zum rech)2013 in zürich
Ion Theodorescu-Sion - Pe malul apei, Ion Theodorescu-Sion
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculptureion theodorescu-sion
Catafalque for Pope Sixtus V; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura', Domenico Fontana, 1591
domenico fontanamannerism
Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura', Giuseppe Cesari, 1593
giacomo della portamannerism
The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Trois Amours dont un tient une flèche (Three Loves, one of which holds an arrow), from Premiere Livre de Groupes d'Enfans (First Book of Groups of Children), François Boucher
pierre-alexandre avelinerococo
Interior order of the Cella of the Temple of Jupiter Olympius at Agrigentum - Cockerell Charles Robert Kinnard William Donaldsonthomas Leverton Jenkins William Railton William - 1830
the antiquities of athens and other places in greece (1830)greek revival architecture
The Base, Capital and Entablature of the Erechtheum, with the Capital and Base of the Antae of the Portico - Stuart James & Revett Nicholas - 1787, 1794
the antiquities of athens, vol. iigreek revival architecture
Atlas from the Temple of Zeus at Agrigento, Sicily - Cockerell Charles Robert & Kinnard William & Donaldson Thomas Leverton & Jenkins William & Railton William - 1830
the antiquities of athens and other places in greece (1830)greek revival architecture
Modeling ivory figures from the living elephant, at Berhampoor, 1851
the illustrated london news 1851victorian architecture
345 of 'Rome, ancient and modern, and its environs' (11020099554)
architecture blmannerism
Mirror Case with the God of Love
french carved ivory mirror cases in the walters art museumneoclassical architecture in russia
Seven vases, the vase in the middle formed by three infants, each holding an ewer, Plate 3 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
Ion Theodorescu-Sion - La obor, Ion Theodorescu-Sion, 1924
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculptureion theodorescu-sion
Stadsarchief Amsterdam, Afb 010194000064, 1835 ca. t/m 1840 ca.
prints in the stadsarchief amsterdamdutch baroque architecture
Münsing Ambach Seeuferstraße 25 Bonsels-Haus
bonsels-haus (ambach, münsing)academic art
Córdoba. Detalles de la cúpula del vestíbulo del mihrab de la Mezquita - Teófilo Rufflé, Teófilo Rufflé
chromolithographsteófilo rufflé
L'Histoire de l'Art français XIXe-XXe siècle, Paris Musées 20230811000215(08), Auguste Rodin, En 1925
collections of the musée des beaux-arts de la ville de parismodern art,symbolism
Plate 32: Men with heraldic flags and horses from Overijssel and Utrecht marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 39: Men with heraldic flags and horses from Limburg and Carniola marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 34: Men with heraldic flags and horses from Frise and the Hapsburg Empire marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 45: Men with heraldic flags and horses from the House of Brabant and Burgundy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 37: Men with heraldic flags and horses from Zeeland and Holland marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 36: Men with heraldic flags and horses from Zutphen and Namur marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 44: Men with heraldic flags and horses from Carinthia and Styria marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Vladimirskaya by Simon Ushakov (1660), Simon Ushakov, 1660
our lady of vladimirsimon ushakov
Architecture - Public domain book illustration from French encyclopedia Larousse du XXème siècle 1932
illustrations for laroussehistory of architecture
Royal Artillery Monument, Hyde Park Corner, London (3610835293)
royal artillery memorial
Royal Artillery Monument, Hyde Park Corner, London (3611656948), 1924
royal artillery memorial
Ion Theodorescu-Sion - Natură statică cu trandafiri și ceasca galbena, Ion Theodorescu-Sion, 1938
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculpturestill life paintings by ion theodorescu-sion
65 of 'Zig-Zags en Bretagne, etc. (Illustrated.)' (11229777245)
grand porche de la cathédrale saint-samson (dol-de-bretagne)architecture bl
Arsenal of Mars; a group of soldiers standing across from a group of women in an arsenal; ships off in the distance; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Frieze with a Triton and Mermaid holding up a Shell, Title page from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix, Pietro da Cortona, circa 1677
works by pietro da cortonabaroque
Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, Plate 2 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, Plate 12 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls with the Theme of Love, Plate 7 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and a Leopard in the Center, Plate 10 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Two Tritons wrestling with other Sea Creatures, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Two Designs for Friezes or Consoles characterized by Armorial Trophies, Plate 6 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Title page for 'The Child Nino' (Il Nino Figlio), a stage with the curtain drawn, the coat of arms of the duke of Modena at top center, spectators below, Stefano della Bella, circa 1655
prints by stefano della bella in the metropolitan museum of artbaroque
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Drawn title page inscribed "Alfred Crowquill [Alfred Henry Forrester, 1804–1872], Original Designs for Pottery and Porcelain, ca. 1845–1855," with Drawing of Lily Cup, Alfred Henry Forrester, 1845–55
department of drawings and prints, metropolitan museum of artalfred henry forrester
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